Pointless Character Death

Hey, long time no see. Blame the damn assignments for uni. Anyway, I want to talk in this blog post about a problem. Something that is a major problem in so many really good franchises, that don't just annoy me, it annoys a lot of people. I’m talking about pointless character death.

Don't get me wrong, I’m totally fine with character death... sort of. But only when it is a necessary death that serves a purpose. When it doesn’t serve a purpose and it was simply done for either shock value or to create tension between characters, it really winds me up.

Take Sam on How To Get Away With Murder, his death was necessary because the entire show is built around Keating and her students getting away with his murder. His death was semi-justified too, he was an absolutely horrible human being, for reasons I won’t get into for people who plan on watching the show, and his death is the premise of the first season.

Another example is Rue from The Hunger Games. Its a horrendously painful character death, but it serves a purpose of sparking off the revolution and forces Katniss to fight back and get revenge on that Capital.

But when a character death is utterly pointless, I just get so annoyed. Recently, I was watching season 10 of Supernatural, and it got to - spoiler alert here guys if you’re not on season 10 - where Charlie Bradbury died. And her death was so completely and utterly pointless and wrong that I was angry about it for days afterwards. Basically, she died to drive a wedge between Sam and Dean, that was it. She died for that single reason, there was no other reason whatsoever. And it was incredibly annoying.

I mean, the writers could have not killed her, and just injured her instead, easily! The whole reason why her death caused the wedge was because she was helping Sam find a cure for Dean and they were lying to him about it. But because she was in danger, Sam had to tell Dean what was happening, and it caused a huge wedge between them because she died. But the same effect would have been caused if the writers had saved her, but she was badly injured instead. She could have easily been badly injured and the wedge would have still been made. Hell, Cas could have saved her, because he can teleport because he’s an angel and the wedge between the brothers would have still been there.

But no, the writers killed her off. And now she probably isn’t coming back. 

This happens time and time again in things, TV shows especially, where characters are killed off for no reason. I understand it when an actor wants to leave, like with Derek and Greys Anatomy, but even then that death could have been avoided. Derek could have simply just stayed in DC and asked for a divorce or something instead of dying in one of the worst character death scenes I have ever seen. I cried after that one. Actually cried, and I rarely cry over character death, I generally end up just getting annoyed.

Because characters aren’t supposed to just die to create tension, or to be a shock that creates hype on the internet. It’s supposed to really mean something. It’s supposed to be like Buffy’s mum, who died to force Buffy to grow up and stand on her own two feet. Like Dobby, who died saving Harry. Like probably Captain America, who’s death will hopefully force Tony to see the extent of what he’s doing and stop the war.

It’s supposed to be like that, not a death just for hype. When it’s for hype, it’s just pathetic, and clear that the writers are lazy and have no idea on what to do with a character anymore. It’s stupid, and I hate it. Now don’t get me wrong, I understand when writers have to rapidly change story lines because actors are pregnant, like in Bones, so they have to write something like Vincent dying to force Booth and Brennan to finally sleep together out of shock or something, so Brennan gets pregnant. That I can totally understand, but surely it doesn’t always have to end in death?

Can’t a character just be injured for once? Or can’t they come back as a ghost? Or decide to move away? Or something that isn’t them dying for once?! Killing someone off isn’t the only way to get rid of them, it is entirely possible for characters to leave through other means and still have it hurt like hell. Look at the Doctor and Rose at Bad Wolf Bay, Christina leaving Greys Anatomy, Zack turning out to be Gormagon in Bones!

All of those hurt like hell, and with Rose and Zack alike, created great plot twists people weren’t expecting. It’s entirely possible to create a feels inducing moment without killing people off. Writers, take note of that, and stop killing people like Charlie Bradbury off. Please, before I lose my mind.

What do you guys think about character death like this? Do you think any of the people I’ve mentioned had a good send off, if so, why? Or are there any other characters you pretend didn't die because their deaths were so utterly pointless? Or did you see a really great character send off that didn't involve them dying? Let me know down in the comments, it would be great to hear from you!

Starting New Projects

First of all, I must apologise for the lack of updates recently, blame a 20th birthday, a tonne of assignments, preparing for a house move, and a new project, which is what I want to talk about in this blog.
Recently I started a new project, and by project, I mean a new story. I'd finished my old one (finally, after changing my self imposed finish date four times) and had had this idea in my head for a long time, so I had been excited to start it. The only problem was that I didn't know where to start.
One of the worst parts of being a writer is finding a place to start. So often a project sounds perfect inside the mind, but when it gets put on paper, it falls to pieces, or holes start appearing, or sometimes the story logistics get changed round. What's more, you have to get a feel for the characters again, find the voices of these people, possibly world build around them, and basically start from scratch. And that is difficult. We get so caught up in our projects that when we have to let go of them to start a new one, it's hard to let go. I've been a victim of this time and time again.
Even when I have been writing a sequel, I find it quite hard to get into the new story, even when it is the same characters I've been writing for a long time. Keeping them consistent is hard, as is keeping their voice flowing, and I think it's because it's the daunting idea of the new story that causes it.
But new characters in new stories are the toughest offenders. Characters, plot, setting and everything has to be reintroduced. Old stories have to be forgotten about, everything is fresh. You can't get into the plot and sink your teeth in because you have to establish things, and get a feel for what you're writing. And it's tough, so, so tough. To be perfectly honest, it's one of the things I hate the most about writing, because it's so hard to get things flowing in a new story. Of course I know I can rewrite later on, but I like to get everything going ASAP, and when I can't get the details right, I can't move forward. I get stuck, feeling desperate to just get on with it, but unable to until the details are right, especially when they're essential to further the plot later on.
I need to learn to control this perfectionism, but at the moment, it feels impossible.
It's murder on the brain, and can be a great one way ticket to the horrible land of Writers Block, something every writer wants to avoid. All I can do in this situation is push through, do my best, and tweak as needed later on. Book openings have to be written, characters need introductions, setting needs to be placed, and plot needs to be at least hinted at before anything else can happen. It's the hardest thing, but it's worth it. The time used writing introductions etc helps to introduce me as a writer to the characters, and everything else, to give me a feel for how this book (or draft at least) is going to turn out. From the introducing paragraphs, I can ascertain just how dark it's going to be written in, what POV I'm writing from, as well as tense and everything else.
I like to view these hard first few paragraphs the testers, to where I can prepare myself for what I'm getting myself into, and know what kind of thing I'm subconsciously going for with the story. I can set out my tone and get a feel for my new story, so I know where I need to go from here. It also helps me figure out if I need to go back to the drawing board and plan out a few more things. I've found it's so much harder to write myself out of a plot hole when writing the middle section of a book, than it is to write myself out when I'm at the beginning.
Basically, this long, winding post that probably doesn't make sense (it's late, straight after a bank holiday weekend, and I'm writing this after I melted my brain on assignments, don't blame me) is trying to say that really, beginnings are a struggle, but a good thing. Beginnings are needed to introduce you the writer to the story, and gives you the chance to go back to the drawing board if needs be. It's so hard to write, and sometimes you just want to jump the gun and get on with it, but it's worth it. In fact, it's a necessity. So don't skip your beginnings, don't leave them until the end of the book to write. Go and write them now, if they suck, you can tweak them later, but for now, get the testing ground going. You'll thank me later.

Top 5 Most Important Editing Points

Hey, so here’s the start of my series of blogs/vlogs on editing your novels! I thought I’d start off with a check list of the most important things you need to check for in your work. It’s so important that you get these things right, as these are the basics of a novel that you have to get right in order to get anywhere else.

11)      Check for spelling and grammar mistakes. That’s an obvious one really, because spelling and grammar are very important things. Spelling should be relatively easy thanks to spell check, but grammar is a bit harder to deal with, but there’s a few things you can do to help yourself out. One is to read your work allowed to yourself, speaking and reading engages different parts of the brain, so you pick up more mistakes if you’re reading aloud. It sounds nuts, I know, but it actually works. I’ve done it before, and have had it recommended by several tutors so I know it works a treat.  And two, you can use a website called Hemingway, which checks through your work and clearly highlights sentences that need improving. I’ve used it loads and it works great.

22)      Check your story for coherency. Make sure that your story makes sense and that it is easy to understand. I’m not saying you can’t have a convoluted plot, if you want that, go for it, but you have to make it easy to understand, or you will lose your readers. Make sure that you’ve explained your plot fully in your story as you’ve gone along, and not suddenly including an important element with no explanation as to how it got there.

33)      Make sure you have tied up all loose ends. Unless you’re writing a series and are planning on tying up loose ends in a further book, all the fragments of the story have to come together to make sense by the end. Go through and make a list of all your plot points, and check off each thing you resolve and see if you have anything left over by the end. If you do, you’re probably going to have to go back and resolve that point somewhere. Obviously, if you’re planning a series out, you can resolve plot points in a further book, but make sure that by the end of the series you have actually done that. As for one off books, then you have to resolve all plot points or you’re going to anger a lot of readers, as they will want answers.

44)      Make sure you’re consistent. If you’ve started writing in first person, make sure you’ve stayed in first person throughout, unless you have a specific reason to change it. Check to make sure your characters physical attributes are consistent and haven’t suddenly changed for no reason, make sure you’ve kept to the same tense throughout (a flashback/memory is mostly where a change from present to past tense is allowed, everything else should be in the same tense). All of these things are really important, and you have to make sure you have kept everything like that the exact same way throughout the novel, unless there’s reason for things to change. If there’s no need for things to suddenly jump from present to past tense, then make sure you’ve stayed in the original tense.

55)      Keep your story line on the right track. You have to be certain that you’ve kept to your story line from the beginning until the end. A story is going to go nowhere if your character starts off trying to find their parents at the beginning, and ends up battling demons by the end, unless they have been drawn into doing that while on their original quest. If they’ve completed their original quest and have had to go on another straight away, fair enough, but you have to make sure that that original quest has come to completion by the end.

It’s all about consistency people; every single thing has to be consistent and kept on a similar path. And yes, editing is boring, I know. But it’s an incredibly important part of the writing process, and will be the thing that sharpens your story into the incredible epic it can be. The editing is so, so important, and you have to check for these things and change anything that is wrong, or your novel won’t go anywhere.

If you guys have anything else you check for when you’re editing your stories, please comment below, I’ll add anything to this main post, or start a new one, so we can create one massive checklist of editing! 

NANOWRIMO IS OVER

THAT'S IT! WE ARE DONE PEOPLE! IT'S THE FIRST OF DECEMBER, NATIONAL NOVEL WRITING IS DONE!
And if nobody minds, I'm going to go and pass out now, because DAMN, that was one hell of a month! Between uni work, distractions and a thousand and one different fandom explosions, I'm surprised I managed to get through this month.
Thing is, I didn't just get through NaNoWriMo, I smashed it to pieces. As in, I went nine thousand words over target. Have a look yourself at this madness!

If you're asking how I did that, the answer is that I have absolutely no idea whatsoever. Literally, I don't have the faintest clue how I managed. I'm going to call it a complete fluke, considering for the rest of the year my average daily word count has been around 800. But this month I managed to double (some days triple) that. 

It was definitely a fluke, a complete fluke. One I'm very proud of, but still, FLUKE! 

There is also one person I'd like to shout out to this month, and that's my best friend Charlie who also smashed it this year. She finished an entire week early this year, doubling (and then some) her last two NaNoWriMo word counts! I'm a very proud, and very, very jealous, best friend this year!

Anyway, I hope everybody who took part got the word count they wanted, or at least got some more words than normal done, because that's what NaNo is all about. So I hope it all went swimmingly for you, and if not, hey there's always next year, and nothing to stop you practicing throughout the year!

But now, I feel that the real hard bit has arrived. It's time to decide what to do next with your project. There are three options for this, and it's up to you to figure out what you want to do next. 

Number One: Pass out, ignore the novel until next year, possibly never open the file again, leaving it to gather dust.

Number Two: Finish the story off if it is not completed.

Or Number Three: Start editing this mammoth.

All options are scary (yes, even running away. Think of the missed opportunities if you leave it to gather dust for the rust of time!) but if I may, I'd like to suggest something. In my opinion, I think you should try all three options. 

Hear me out a minute when I say this, because I know that sounds mental, but trust me, I've done this before. It's December, aka Holiday Season, and you've trapped yourself a way to write for a month. Go out and do that dreaded thing known as socialising for a bit, take a break from the writing and do something else for a bit. And when you've done refreshing yourself, come back to your novel, if you haven't finished it yet, you'll hopefully have a tonne of ideas and stamina to finish it off. If you need to start editing, it'll be easier now that you've had a break. You've been staring at your screen for ages now, completely consumed by every word you've typed, editing will be near impossible under those circumstances. But if you take that break, you'll be looking at the novel with fresher eyes, there will be bits you have forgotten about, things to surprise you, it makes it so much easier to look over things when you're refreshed. 

If you're stuck for ideas on how to edit things down, I will hopefully have some videos up soon to help you with that, for now, think about sorting out spelling/grammar mistakes, possibly start thinking up ways to solve anything that's bugging you with your story. That'll give you a good editing starting point. 

So in conclusion, YAY NaNo is over so we can breathe, I hope you all hit your word goal (if not, don't be disappointed), take a break before you break your poor overworked fingers, and allow yourself some time to yourself! It's been a great month, and I'm already looking forward to next year! 

I'VE HIT 10,000 WORDS!

HELLO! I'm super excited to announce that I HIT 10,000 WORDS ABOUT 10 MINUTES AGO! And I am SO HAPPY about this (if you couldn't tell by all the capitalisation!)
This week has been a pain to say the least in terms of writing, three days this week I've been at uni, and that means getting up at 6.15am in the morning, so by the time I get home I'm exhausted and really not ready to do any writing! But I've pushed through every time, ignoring all distractions and everything I possibly can to get my 1667 words done, even if that means I'm stretching out my writing time to 4 hours!
To give you context on how painfully slow that is for me usually, I can usually whack out 800 words in about half an hour. So in practice, 1667 should only take an hour, but that hasn't happened this week! This week has carried on in the same vein as last week, where I've been distracted/busy/uninspired for most of it, so it's been a long, hard slog. But it's worth it, because I've somehow managed to push myself almost an entire day ahead of schedule (don't worry, I haven't miscounted, I've checked... three times) and hit 10,000 words at the same time! I'm ecstatic!
To be perfectly honest, I was fully expecting to be miles behind already, or to have run out of steam, but currently I seem to be wanting to keep on going. That could be because at this current moment, I'm being distracted by a) the idea that the band Busted are getting back together and are announcing a new single in 4 days and b) Doctor Strange set pictures and both those things are hyping me up, but I reckon it's mostly down to the fact that the first 10,000 words are now written down for my projects.
I've now officially gotten one fifth of the way through, I just have to continue this pattern just four more time and then I'm there! It doesn't seem as difficult when you get through the first 10,000!
But on a serious note, if you're behind target or really struggling, all is not lost. This week could just be a bad week for you, getting into the swing of 1667 words a day is hard, and more importantly, it's exhausting. Nobody can judge you for that, and you are trying incredibly hard, and that is all that matters.
Think of it this way, you've still got words down, which is more than you had before the start of the month. You're still giving this challenge a good shot, and if you don't reach the 50.000 target, then that's okay. You gave it your absolute best, and still got so much written, you can continue at your own pace for the rest of the year until you make it to the end of your project. Writing is a process and it can't be rushed, 50,000 words in 30 days is mental, and not reaching it is absolutely nothing to be ashamed of. The rest of the year is still yours to write in, as is the next year, and the next, and the next. You have all the time in the world to finish your novel, and while the rest of us are stuck in the painful editing process, you're still in the fun bit of writing the story!
So if you're behind then don't worry, if you're ahead like me then go party, and if you're on time, congratulations! But remember, we all go at our own pace, and sometimes life gets in the way of writing, this challenge is insane, and we should all be proud of everything we achieve in this month! Even if we only manage 5000 words by the end of it!